The Dichotomy of Good and Evil
Ricardo Martínez García
From the beginning his destiny was to be the villain, the loser, lonely, highlighting. He had no way to change the course of his life, despite their efforts, even their physical appearance was an element that was determined for the path of evil, to be the antagonist of what can be considered as good. These are the vital and existential premises of extraterrestrial villain Megamente in the animated film of Tom McGrath, which are a sign of the missing (sometimes) paths in which moral values \u200b\u200bcan be disrupted, not only for evil, as usually happens, but even to do good, unexpectedly.
The main enemy of Megamente Metrom is, sort of superman handsome, sympathetic hero who becomes tired of his compulsion for good and its popularity. Megamente apparently gets rid of it, but it also lost their main motivation to action (for good and evil are like two halves of the cosmos, like the yin and yang). Megamente artificially decided to create a new super hero Metrom antithesis-that is his antagonist, but the result is a worse villain than himself. Along the way, and to dress appropriately the ethical dilemma of infant vision, Megamente reporter falls for Roxanne Ritchie, taking a physical aspect to court more attractive than the real figure.
be a hero or villain, break or not the natural and social determinism, as is the case, but in a film for children, these subtle differences may be moral, and necessary consequences, beyond the comprehension of an audience Thus, in the worst case.
With voices in their original version of Will Ferrel, Brad Pitt and Tina Fey, McGrath built a story whose drama is somewhat ambiguous, constantly playing with appearances, with the dialectical transformation of the main characters. Much clearer in their tracks moral is My favorite villain , Chris Renaud and Pierre Coffin, which humanizes the protagonist villain in unexpected levels even for himself.
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