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Friends with the King's speech

The symbol of an empire

Ricardo

García Martínez

British director Tom Hooper told in King's speech (11) history King George VI of England, how it comes to the throne after his older brother is under pressure to resign, but especially how to control his stuttering.

Bertie (Colin Firth, as always in great plan) is an insecure man who can not bear to speak in public, to the extent that his wife, Princess Elizabeth and the current queen's mother (Helena Bonham Carter) looks strongly a remedy to the problem of language, and a pilgrim among doctors to giver chipping therapist Lionel Logue's office (a great Geoffrey Rush) and the hard work begins to make his speech fairly fluid.

is the interesting story of an unexpected friendship, of a historical period of England in the first half of the twentieth century, great and terrible challenges of a nation and its representative, the king, who has to stand up but he is not exactly who takes the big decisions, who is the head of a monarchy, but whose role is more modest representative.

The fight actually takes place Bertie is against himself, against his traumas and frustrations fed from childhood, against their insecurity heightened by her own family. Lionel aid offers is to show how to be spontaneous, loose a bit of that rigidity that keeps him from being himself. Lionel is a separate character: he is a lover Shakespeare, half psychologist and therapist at once, whose unorthodox methods cause itching in some people close to the then Prince and imminent king.

is a beautifully made period film, fun, with lavish sets (in contrast with the office of Lionel), great performances, good pace and emphasizes two things: the extraordinary value of the image of the English king and the tangible value of a beautiful friendship.

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curious craft, or service, that takes you to enjoy three days, surrounded by nearly a hundred people, most writers, an editor, a translator, an agent ... and then think you're on vacation, and you charge the batteries, and think in the editorial, (that's a habit), and how well you would a sponsor, with such authority that you would like to translate, publish ...

faithful to my customary to socialize is right, and speak the least, I delight in my observation post. I see newcomers to this magnificent encounter more than correntes d'written. small groups are formed on the first day, as for warmth, and end Saturday night in an exchange of kisses and hugs. and it does not matter if you speak Portuguese, English or some kind of portuñol.

delighted povoa come again. who is not.

is undoubtedly the best games. management and production impeccable. a team that will solve the problems before they arise. a hostess, Manuel Ribeiro, who is impossible not to love ...

and a councilor for culture, a culture councilor ... god! a cultural councilor attends the scheduled tables, sitting at lunch and dinner with whom you touch, which invites participation, to continue the project for ever ... and while it plays for nearly an hour and half closed the 2011 edition, saying that culture is always understood as an expense, not as an investment, and that idea must change, and the importance of a project like this for the city ... Uberto and I looked, with tears in her eyes, and we say the same thing two years ago ... well, as my councilman.

And then you remember the Councillor for Culture of the lake, julia Dorta and her interest in sila, and remember, of course I forget, which was Councillor for Culture of Santa Cruz Angela ore, and its super interest in the mega-sila, and still gives you time to think before deciding to kidnap the man who keeps talking about culture, your last councilman, juan carlos marrero ...

and think that would be ideal to bring this man on tour to explain the odd politician who is betting on the culture and how it should work for the society to participate in a project and make it yours.

correntes bring me of course, Manuel Ribeiro and Uberto Stabile (pictured), and a few friends ... verdarero read with interest David Tuscany, Aida Gomes and Joao Paulo Borges Coelho. I bring a surprising end Daniel Mordzinski party and some good news for the sila.

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In-describable. Joao Paulo Cuenca

. share a piece of his novel.

"O Mr. Okuda ficou angry e disse nao Poderia to be, because I MET pele mais jovens e sao mais less enrugada saudáveis, or that demoram quer mais Dizer to die. Asked why this happens and Mr. Okuda explained that is because young people have less past and that life is dangerous for the humans as time goes on, and nothing can stop time.

I do not know very well what is the weather.

Mr. Okuda tried to explain to me and said that time is what separates the past from the future, and to measure it there are devices like clocks and calendars, which are like small dungeons, because no one can escape time , which is the only thing that equates all human beings, along with death, of course, that goes hand in hand with time-all the time.

And Mr. Okuda has told me that you say the word "now" when the past meets the future at this point that other, next and so on, always on the border, as un fine hair, very similar between two stones, which is still and that no more will be.

The name of that front is time, Mr. Okuda said.

yet understand very well what was the time, Mr. Okuda asked what was the death, which seems to me the same thing, but told differently. Mr. Okuda took a long sip of tea, complained that it was colder than it should and then say that death is like being born on the contrary, ie back to what it was before birth. "

Ed

Caminho. "Or only happy ending love story uma é um untoward." Joao Paulo Cuenca.

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the success of this year was definitely my dear Uberto, witness of the times I came to our table to congratulate him on his speech, and reading your last the poem.

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Cape Verdean musician and writer Mário Lúcio Sousa, whom we expect in September at the SILA, was in charge of closing the meeting.

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The Rite

Rite

Adulteration of exorcism

Ricardo Martínez García

If the rite is an act-often of a symbolic nature, which is repeatedly form and therein lies its effectiveness, the priest Lucas Trevant (a declining Anthony Hopkins ) is the least able to teach a neophyte exorcism (in the form of a mystagogue) and skeptical about being ordained seminarian. Lucas's father makes such a kind of therapy rite in which the mother of a victim of evil takes to the priest as if a wider consultation, as this during the ceremony has the luxury to interrupt to answer his cell phone.

With a line of argument that bears some relation more The Exorcist 2, The Heretic (Boorman, 77), much more disturbing film for its moral theological proposals for special effects (and starring the great actor Richard Burton) , Rite (11) director Mikael Hafstrom, presents a work based on "facts", without specifying whether they refer to real events that casts a owned by mouth or metal studs This is the way that a seminarian is coerced to take a course for exorcists with the threat that if he leaves the priesthood to collect their instruction, and that ironically debunks some level or the implementation and effectiveness of the above ritual.

No scenes of horror or suspense that really impact the audience (who go to see it thinking it's a classic horror film became disenchanted with it), is a cynical kind of environment along the tape, a kind of ennui that expresses very well the Hopkins character, who happens to be the most experienced of the exorcists, but that is far from the majestic simplicity of Father Lankester Merrin, beautifully played by Max Von Sidow in that classic William Friedkin 1973.

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Pag

157. "The Child" There János

"No need, and at that point they said a name, which was the name of the girl, Mari, for example, of course it was not that, but some similarity, should not get into a story, not wanting to push the girl for a fucking drink, to such stupidity, because she deserves better. hated panties manufacturer that so many years had a relationship with her, besides with his wife, of course. And he promised the moon and the stars, especially that idiot would leave his wife and would live with it, because the wife that was unbearable, I had a kind word, never said that of the panties: the sea has sold well those tracksuits. The girl had waited years for this moment, and when he said that I have waited long enough, say at home that you and I, then man, that employer asked what he was thinking he wanted it. And then the girl said, to live together. You and me, asked the entrepreneur. You tell me, "replied the girl, and I soon turned thirty, so it's time. Then the man asked, "What time? Children, and such. I and I have said the man, that employer, and that he I wanted another, or joke, because the land on which he worked things were fatal. There are those fucking Chinese is to be happy if I can raise the two that I have. Today, knowing what I know, even I have no son throw as much I would throw on them, he laughed, on the other hand did not seem like he could leave his wife, after all he had was given birth to those children. Then the girl said, I too would like to give birth, and then I could be like her. Then the man said that this could not happen, because he did not want any more children, so that she could not possibly be like his wife, and therefore that this girl was going to shit the fuck up, "said the businessman, adding that he did not want to say so abruptly, after all there had been some intimacy between them, but the attitude the girl was forced to do so. Well so it happened that depues six-year relationship the man got rid of the girl as a mucus out of the nose, and throwing pellet made the carpet, which was not noticeable, since it was a dark carpet. So the man lost interest by that teacher. "

I think I hear the voice of my mother (voice of wisdom), you see mariadelosangeles? All men are equal. and I ... ma no, that's a cliché, a cliché, what happens is that here the author you are looking ... mariadelosangeles, trust me mija, I never do if ...

(Dance of the Sun, 2011)

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taste fruit compote while no images haunt me early. The yard presented strange. no pots or balls on the floor and I realize that the chairs strategically placed on the wall as sea urchin spines have disappeared, I find them in perfect order in a corner. the courtyard in silence. Leya is. I leave the elevator and a huge room in dim light opens before me. three elderly women in wheel chairs arranged in order, waiting for a signal to start his career. argue, shout, sing, play clapping. nobody listens. quarter that has not stopped walking from one place to another within ten minutes I've been there, suddenly stopped beside me, puts his hand on my arm and smiles. moves on. I go and I spend hours wondering what and why we stayed here so long. silence again. I go up and load boxes, dancing returning from where I feel I should not go. I'm at home, not a step backwards, is a step forward and I wonder why we did before. I find the memory of Don Juan at the corners. I found him in the kitchen where we spent many hours between pages, chasing laughs. be here despite the nostalgia encourages me, gives me strength. absences. I go into the office for four years welcomed noemi. There are no books on the shelves, there is no there there boxes here ... everything in order. four years. how easy it is written. time, which seems to be stored in a filing.

dictionary tells me that the absence is the action and effect to be absent or absent. I also talk about nostalgia, longing, loneliness, and sadness. fuck yeah! sometimes it hurts.
I just jam.
life goes on.

"ephemeral love"
first discovered the sadness of the mobile screen will return an empty look, without the surprise of a message or a missed call cloudy. Then, he felt the glare flight feverish eyes he looked at it. Finally, the talk was perceptive to officially end the romance, perpetrated by the side of a cold rooibos.
She waited resignedly everything.
The only thing that surprised the process was to give in just one hour. And even more surprised that in just one hour, and would miss him. "

Changing course and other things first. Angels jury. Dancing sun.

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colin firth's eyes spitting on me all the way back. occasionally stopped reading and glanced furtively between the two seats. he was there. round magazine ever had a better cover.

back to the island from Casablanca where SILA shares stand with the Instituto Cervantes . We have been presenting the project. good sherry Alfonso Gonzalez presented it and I do not know quite what I said. how I remember at the time of Christopher rose, always with an appropriate comment. (Highest I want to be like him). it is clear that public speaking is not mine. and I've been thinking for days how to wriggle out next time. Why spend so badly need. may present my resignation Monday as director.

in any case, the important thing is that we have accomplished. and we said we would. despite all the problems and now it and then do not.

entrepreneurs how to experience the culture.

not convinced the city. despite the beautiful cats I saw.

maybe next time you go is different and better able to adapt to the environment.

still, I bring with me harira, the petit taxis, and the royal palace.

ah! and Charlotte, the cat photo.

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Charlotte, hoping to quiet

Juan Goytisolo

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"-kidding.

" I'm afraid not, Bernie. Some laws are being drafted which will lead application final distortion of all Jews living in Germany. You should not tell you these things, but many former fighters who joined the Party before 1930 consider that have not yet done enough to solve the Jewish problem in the country. Some like me, believe that things can get to be a bit raw.

"I see.

"Unfortunately, I do not understand, but think again. Moreover, I am sure you will. Let me explain. According to my boss, the deputy Volk, what will happen is that Germany will declare that any person whose four grandparents were German. Jewish to be declared a person descended from at least three Jewish grandparents.

- And in the case of a single Jewish grandparent? I asked.

-persons of mixed blood will be hybrids.

And in practice, what means all this, Otto?

-Jews were stripped of German citizenship and prohibited from marrying and maintaining German sex with cigars. They will ban access to any public and private property are restricted. The hybrids will be required to apply directly to guide the reclassification or Aryanization.

- Jesus! Schuchardt

Otto smiled.

"I doubt that even he had no chance of obtaining the reclassification, unless it is established that his heavenly father was German.

pasted a drag as if it were my mother's milk and turned off the cigarette in an ashtray aluminum foil the size of a nipple. There had to be a compound word, crossword-shaped particles Rare German-to describe what I felt, but I have not imagined, but was sure it would be a mixture of "horror", "frightening", "kick" and "stomach." "

" If the dead rise not. Phipip Kerr. RBA. 2009 (I recommend them especially more now that I know what are the tricks of the trade to make a good detective novel)

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The Black Swan

The other I

Art and Passion

Ricardo Martínez García

The new film from Darren Aronofsky is a story behind many others. It is the story of the development of the preparations being made a ballet company for a new season with Swan Lake , and relations between the ballerinas and its director. It is also the story of the relationship of principal dancer and his controlling and overprotective mother, who sees in her what she could not be. It is also the story of how an artist in the full sense of the word takes its performance to extremes of totally radical realism at the cost of his life. Similarly, is the tragic story of human passions that play a predominant role in the characters of The Swan Lake by Tchaikovsky.

The desire to feel the dual character of white and black swan, how intensely and efficiently it requires the company director Thomas (an excellent Vincent Cassel) lead to Nina (Natalie Portman in lofty plan), the prima ballerina , to experience a radical change in way of being, like the emergence of a sort of half sinister (a la Stephen King), with its deployments in mirrors and duality of being. Nina is a contained, frigid and controlled by his mother, and there is another that takes hold of her being completely but only at times, it is all feeling and lust. In Nina converge too close drives of eros and tánathos , driven by the demands of their dual interpretation, but the second drive, fueled by instinct sexual- pugna por salir completamente (dejándose llevar), justo en el momento del clímax de la danza del tercer acto, pero mostrando su poder solo en la conclusión del cuarto acto.

Con una cámara que a ratos va al hombro y que sigue a la protagonista por las calles, o va delante de ella a través de los camerinos, la técnica fílmica no da tregua al espectador, marcando un ritmo acompasado con los crescendos de esa hermosa música compuesta por el genial ruso. Música, danza y actuación se entremezclan bella y constantemente, dando como resultado una extraordinaria y exquisita cinta que cuenta historias más allá de la propia historia cinematográfica, transcending the swan queen and the white swan, black swan, that of Rothbart and the prince.

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love Is always the right man?

The refinement all: do what they want

Ricardo

García Martínez

In

key romantic comedy and spy, the film Tourists (10), Florian Henckel von Donnersmarck, ranging from a tribute to old movies spy European-style Agatha Christie novels, the nod to call art cinema, with lavish sets and beautiful actresses, and ribbons with patterns closer to the Bourne series, or 007-Agent in a female version starring the femme fatale who is Angelina Jolie said, "but with an ending reminiscent of The Talented Mr. Ripley , but in this case is a talented banker and his skills to change hands for huge sums of money.

Frank (Johnny Depp) is a laid back American tourist in Europe who suddenly finds himself with a stunning woman and very sure of herself named Elise (same adjectives to Angelina Jolie) who seduces him, leading to an affair with persecution and confusion of personality, which will go free for his foresight unexpected.

Fun and entertaining if not too demanding, with nice performances of these two superstars that are personal and professional level where they actually do what they want and are in a situation similar to film that Jolie took Brad Pitt in Mr. and Mrs. Smith , another comedy not as refined as this tape Donnersmarck (though Depp is far from a personal situation like Pitt), the film is quite enjoyable, with very good rate, albeit slightly predictable.

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Some souls nor human

Ridiculous versus diabolus

Ricardo

García Martínez

There is a song called Donovan Season of the Witch , as this band called Dominic Sena, well used to finish the tape To die for Gus Van Sant ( and in which Nicole Kidman gives her best work). Dominic Sena is on the other side and inclined rather to medieval fiction that tries to mix historical and religious elements but the result is a hybrid of horror series b too hard to believe.

After killing huge numbers of people "on behalf of the Church" in various campaigns in the Middle East, better known as The Crusades, the French knight suddenly Behmen (Nicolas Cage) and his partner Felson (Ron Perlman, best film), apparently they like the twenties and decided to retire, despite their oath of these battles against the infidels , including defenseless women and children. Immediately are considered deserters are caught and not be imprisoned or dead, accept the mission of transporting a woman accused of witchcraft to a monastery where the monks would be judged by "fairly."

So far everything seems historically correct, and the film is interesting, but is in the narrative of the transfer of the defendant where it lost the compass and becomes something that blends elements of films like Van Helsing , Legion, Exorcist, and the like, but in a way that can not but smile with some sarcasm.

How not to do seeing Behmen grappling with the dark lord himself, face to face? That is to grant too much to the idea of \u200b\u200ba little devil so powerful that one shudders to a book about magic and prayers which apparently have the power to go back to hell, where they had to leave. Perhaps that is an argument he had left as poor as that of this tape.

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I thought the comment gorgeous Joaquin Rodriguez has posted to his blog
futures book after his visit to the Canary Islands and their participation in the last Congress Booksellers: dystopian scenario editor and the library really recommend
undoubtedly fine irony in a clear statement of the situation of the trade. Interest to editors and although not named, also for writers.

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The sweet taste of fresh blood

Ricardo

García Martínez

There are two key scenes in the classic work of vampirism, the Dracula Bram Stocker: the first when Jonathan Harker arrives at the castle of Count in the midst of the gloomy night, he opens the heavy door and he says that among his own free will, the second is when the sweet and beautiful Lucy Westenra semiconscious window opens but the Count to voluntarily enter his room. With these two scenes seems established that vampires can not compel or force anyone to enter or pass them to the rooms of humans.

The director Matt Reeves co-wrote the screenplay for Dejame Entrar (10) together with the author of the book of the same title, the Swede John Ajvide Lindqvist, on the premise of a vampire who needs permission to enter, but that's the reference to the classic. The story revolves around Owen, a skinny boy, a favorite target of other Children who abuse it, her mother is going through a divorce and almost can not attend. Owen (Kodi Smit-McPhee) then befriends a girl named Abby (Chloe Grace Moretz) who moves into her building. Friendship is more to the mutual isolation of the children, and sharing secrets that explain various crimes committed just after the arrival of Abby the neighborhood.

Without the glamor other big budget films and beautiful actors to exploit their sex appeal more than evident, but with a simple story, well told, few special effects but a good dose of drama, Reeves achieved rounded and entertaining film. It may not be the American film greatest horror 20 years ago but it is a highly recommended film. Since the first version was filmed two years ago by Swede Tomas Alfredson, entitled Let the Right One In , which was critically acclaimed but was not in Mexico.

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Let me Love of my life

Poesía pura

Ricardo Martínez García

Zealand filmmaker Oscar winner for best screenplay in 1993 for The Piano, Jane Campion, delivers a moving ribbon of time, beautifully achieved, which tells the story of love between the poet John Keats and Miss Fanny Brawne and named one of his poems: Bright Star (08), aptly subtitled as El Amor de mi Vida .

The story introduces the viewer gradually the feelings of Miss Fanny (Abbie Cornish) and the young poet John Keats (Ben Wishaw), in the manner in which they are falling in love and sweet and great passion, and how her family sees the transition of this love.

John Keats is considered one of the English poets most representative and important of the early nineteenth century Romantic movement in Great Britain. Poet who was not alive the recognition of his work, he lived largely at the expense of his friend and patron Charles Armitage Brown, a relationship that Campion tape is presented as a contrast to that of Miss Brawn.

handling of narrative pace, the scenery and the actors is a work of art crescendo that climaxes with the death of the poet. Without false sentimentality, the film moves the viewer sensitive enough to capture in this simple story of an almost Platonic, and that scandalized Victorian society of his time, the published correspondence, the couple kept the greatness and the tragic love story that took place between this extraordinary poet and the no less extraordinary Fanny Brawn. Do not stop watching it.

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Looks

is true what they say, the eyes never lie, the eyes reveal. We were thrown into the water. With only a second and lie fell better planned. Eyes that come gestures, tics, gestures ... The looks are what we throw conversona ... Those who walk gossipy account of what one does not mean. Those that the only way to silence them, is turning them off. Looks there in droves, happy, deep, full of peace, full of bitterness, full of fear and insecurity. And sometimes all on the same face. Looks unknown, those that substitute a fearful smile, those returning soon to the ground, failing to not wanting to be discovered. Looks familiar, these confessions objective. Looks in bad faith, hypocrisy those subtle, sometimes children, sometimes dangerous. Contemptuous looks, that ridiculous superiority complex. Looks of pain, those who seek cut the soul and heart. Flirtatious glances, those that lengthen the time that isolate. Just look, the language of silence.

Fabio Chaves 19/01/2011 - 1:52 a.m.

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Start MACC011


Atlático of Contemporary Creation Market
The Macc011 be held at the Auditorio de Tenerife "Adam Martin" on 14, 15 and 16 April under the auspices of the Canary Islands and Tenerife.

The Macc011 is a cultural marketplace designed to promote artists and entrepreneurs who bring innovative elements and / or risk applicable to projects in the social and cultural. The Macc wants to be a laboratory for experimenting with ideas, languages \u200b\u200band creative disciplines. The Macc011 born with strong determination to contribute to building bridges of relationship between the world of culture and artistic creation, in the field of economics and business, in a social situation where the role of innovation, creativity and the risk is intuited as key elements of vital importance for the future development of our territories.

seek new ideas, creativity and risk, for purposes of a three-day forum attended by developers, financiers, producers, agents and business institutions Private. We encourage you to visit the website Macc as we should do to reach your most impossible ideas, surprising or risky. Macc analyze them and if they are consistent with the philosophy of innovation that postulated mechanisms and provide resources that contribute to its possible development.

You can contact us by making us your proposals via the web portal http:www.maccatlantic.org in "I have an idea" and by email at info@maccatlantic.org

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THE VERBATIM / Alfonso González Jerez

With the tacit permission of my dear Alfonso G. Jerez, published in The Cultural Supplement Tracker. http://blogs.diariodeavisos.com/blogdealfonsogonzalezjerez/


THE DISCOVERY OF JOHN WILLIAMS.

In contemporary American fiction is not unusual moral parable. Faced with the tradition of great Southern writers and their heroic techniques, the social novel between the wars or the rhetoric of the irony of Bellow, his great disciple Roth, Updike or Auster, the moral parable is an exercise to which American writers show an irrepressible fondness, and crosses authors, trends and schools. Parables are different but unmistakable moral The Old Man and the Sea by Ernest Hemingway , Swimmer John Cheever, Centaur by John Updike and to some extent, The Catcher in the Rye (the worst). None of them, however, has literary value, insight and emotion Stoner, the novel by John Williams who has just been published by the Sun Dance in the translation of Antonio Díez Fernández.
John Williams (1922-1994) is a writer almost unknown in Spain. Grandson of peasants in his childhood and adolescence in Texas showed an almost invariable tendency to leakage and disciplinary punishments. In the midst of World War II he enlisted in the Air Force and in the late forties entered the University of Denver, where he majored in English literature. He later earned a doctorate and taught at the University of Missouri and again in Denver, where he managed the literary magazine University of Denver Quarterly and coordinated a workshop on narrative writing. Williams published four novels (most recently published Augustus won the National Book Award in 1973) and several books of poems.
Stoner, originally published in 1965, is a marvel of intelligence, simplicity and depth. It narrates the life of a professor a small Midwestern college, a son of farmers who falls in love with the language and literature, and terminates devoted forty years of teaching, but never ceases to be an associate professor. In a review I read that Stoner is the story of a man of integrity with bad luck. I think a mistake. William Stoner is a great person but not a man of integrity. An honest man is not weak to support a limited life and gray, allowing the collapse of his daughter and lets out a miraculous love that comes when you have forgotten even what it meant hope. Williams's novel is the story of a loser who deserved better, but an incisive reflection on losses, shipwrecks, deceptions and lies of all life and a radical incapacity for happiness. Williams is careful to the need to make nice or nasty characters, although they may be and above all do stupid things, selfish or closely abominable. William Stoner, their families and colleagues are left to live among lies, pettiness and erase mistakes until death. In his universe, which is to any of us, friendship is a nostalgia shared no love or indifference to the injury should be taught not to bleed daily.
The insignificant Stoner is an unforgettable character in his railed dignity, her love literature and teaching, in his infinite and indifferent final resignation to all offenses of mediocrity quintessential: the self and others. There is more simplicity in the technical procedures of the novel, I humbly begins with birth and ends with the death of its protagonist. Invariable effectiveness of a precise prose, backwaters and transparent, and disclaims any distraction and seems to not do anything but tell a story linearly contributes to the emotional impact of the story and is colored by an amazing capacity for observation and synthesis. Stoner may not be one of the great novels of our time, but it is a perfect narrative novel, exciting and enduring. A book becomes essential in the select library of any reader.
One can only congratulate Baile del Sol "is perhaps currently the best Canarian editorial by John Williams to add to his increasingly strong and consistent catalog: a bet that professional intelligence evidence Tito Alonso Angeles Expósito and its literary smell, its stubborn commitment to quality and sense of risk. It's a wonderful event that the introduction of Williams in the English book market, and in our language, come from the hand of an editorial in the archipelago. Professionalism, intuition, demand for quality, rigor in the catalog sense of risk: the main virtues of a publisher who, unfortunately, are becoming increasingly rare in the Islands.